The Architect of Digital Drapery. ​I don’t just make clothes; I solve gravitational puzzles in CLO3D and Marvelous Designer. My work at TRUGENS is where high-fashion avant-garde meets the precision of a digital atelier, driven by a deep obsession with how far a silhouette can be pushed before physics starts to complain. While I spend my days moving vertices in Blender and perfecting the light play on a silk-satin shader, every design actually begins on physical paper. I’m a firm believer that if you can’t sketch it, you can’t drape it—though I’ll admit the "Undo" button in 3D is a lot more forgiving than a real-world eraser. ​I bring a professional-level technical toolkit to the virtual table, turning complex couture concepts into production-ready assets that speak the language of high-end construction. I don't settle for standard previews; I utilize Blender and Daz3D to create renders that carry the weight and atmosphere of a luxury editorial. My aesthetic is a constant dialogue between structural drama and the refined minimalism of global couture, ensuring every piece feels intentional and elite. ​Currently, I’m navigating the unique challenge of pursuing a Public Health degree while building this digital empire, which has given me a bit of an edge—after all, understanding human anatomy is basically just high-stakes pattern making. As a SYKY Designer invitee and a multiple-time Curator’s Choice on CLO-SET Connect, I am focused on collaborating with innovators and luxury houses who believe the future of fashion shouldn’t be limited by physical fabric. Let’s build something beautiful and make sure it simulates perfectly.